vitajazz
vitajazz
  • Видео 89
  • Просмотров 1 193 704
Videotape formats 1987/1984, Quad and C-format
From a multigeneration 3/4" tape, here is David Stringer explaining quad and C-format machines. The program is 1987, but I believe it's edited down from a segment recorded in 1984.
Просмотров: 335

Видео

Sam Lanin Orchestra, Indiana's Calling Me. Oriole 599b.
Просмотров 3623 года назад
Sam Lanin orchestra, probably March 10, 1926. Billy James orchestra was a pseudonym for several bands, besides the actual Billy James band. Audio-Technica AT-LP140XP with Audio-Technica AT3mono/SP fitted with ExpertStylus 3.5mil truncated elliptical.
Original Indiana Five, My Melancholy Baby. Banner 7027A
Просмотров 4403 года назад
Tom Morton - drums, kazoo, vocal, director Tony Tortomas - trumpet Pete Pellizzi - trombone Nick Vitalo - clarinet, alto Harry Ford - piano Tony Colucci - banjo NYC July 19, 1927 Transferred on Technics SL110 with AT-VM95 3.5 mil Expert elliptical truncated stylus.
BING CROSBY, Joe Venuti, Peggy Lee; Red Cross funding program, March 1, 1949
Просмотров 1,1 тыс.9 лет назад
Here is most of "Salute to the Red Cross" Program on a 16-inch transcription. This is a series produced by the Red Cross and provided to radio stations as part of their funding drive. This is 10 minutes of a 15 minute program. March 1st, 1949 (or maybe January 3rd..) I can't determine who pressed the transcription. John Scott Trotter Orchestra, Introduced by long-time Crosby associate ken Carpe...
ETHEL MERMAN "The Devil Sea" Paramount 1930
Просмотров 4,5 тыс.10 лет назад
Released Feb 27, 1931, copyrighted Feb 28, 1931 With Leslie Stowe. Merman is sad to hear that her lover has died in a shipwreck, but then hears that he is alive..Merman was very prolific at Paramount, making some dozen live shorts and Screensongs (Including four with Betty Boop.)
HARRY RICHMAN "Clinching a Sale" Paramount 1930
Просмотров 2,9 тыс.10 лет назад
Released April 18, 1930, copyrighted April 16, 1931. Harry Richman tries to sell a Bergman broom to June O'Dea, who insists that he run though his Al Jolson, Eddie Cantor, and George Jessel routines to clinch the sale.
VINCENT LOPEZ and His Orchestra, "Beyond the Blue Horizon" Paramount 1932
Просмотров 24 тыс.10 лет назад
Released(?) April 26, 1932, reviewed by Mordaunt Hall August 22, 1932; here is Vincent Lopez doing a lovely version of this song. Note that the footage is lifted from Paramount's 1930 film "Monte Carlo" where "Beyond the Blue Horizon" is performed by Jeannette MacDonald. The short opens with "I've Been working on the Railroad." This was recorded off-air in 1979 to Open-Reel EIAJ. The tape is no...
FLEISCHER SCREENSONG "Any Little Girl" Paramount 1931
Просмотров 56 тыс.10 лет назад
"Any Little Girl That's a Nice Little Girl" Fleischer screen song, Copyrighted and released April 16, 1931. Featuring Betty Boop Prototypes and a brief Helen Morgan soundalike for "What Wouldn't I Do For That Man."
IRVING MILLS Intros Ellington, Baron Lee, Cab Calloway. Paramount Ca. October 1930
Просмотров 1,6 тыс.10 лет назад
In this Paramount Sound Pictorial, Irving Mills introduces the three famous Black bands he was managing at the time.
FAITH BACON "lady with the Fans" Soundie 1942
Просмотров 70 тыс.10 лет назад
Here's the other Faith Bacon Soundie. Reissue print 1948. 1942 R.C.M. Productions, produced by Sam Coslow, directed by Josef Berne. In case anyone is wondering - Faith really is nude in this film, there's no body stocking. Faith Bacon is generally considered to have created the fan and veil dances (shown here) that are associated with Sally Rand. Rand created the bubble dance. Faith died at age...
GILDA GRAY "He Was Her Man" (aka "Frankie and Johnny") Paramount 1931
Просмотров 16 тыс.10 лет назад
Copyrighted April 24, 1931, Released April 25, 1931. Gilda Gray - Frankie; Walter Fenner - Johnny Directed by Dudley Murphy.. This is one of the Shimmy Queen's only talking roles. This fascinating film does have stereotyping, it is very much a product of its time. (P.S. Some sources list this film as lost, here it is as a 16mm with UM&M TV titles, so presumably the master 35mm also survives.)
CLARENCE WILLIAMS Jazz Kings "Dreaming the Hours Away" Columbia 14287-D
Просмотров 11 тыс.10 лет назад
On an E Royal Blue wax reissue, here is one of the most-loved Williams recordings. Recorded New York, January 12, 1928 Columbia 14287-D, matrix 145521 Take 1. NO noise reduction of any type was used. Ed Allen - Cornet Ed Cuffee - Trombone Buster Bailey - Clarinet, Alto Sax Coleman Hawkins - Clarinet, Tenor Sax Clarence Williams - Piano Leroy Harris - Banjo Cyrus St. Clair - Brass Bass
THE TEMPERANCE SEVEN "Everybody Loves My Baby" 1962
Просмотров 104 тыс.11 лет назад
This is a brief dedication video I made in 2004 on the passing of John Ross Twiston Davies, the great restoration engineer, and director of the Temperance Seven. ("Sheik Haroun of Wadi el Yadounir")
BETTY BOOP'S PENTHOUSE, Fleischer 1933
Просмотров 55 тыс.11 лет назад
Fleischer Studios, Paramount Pictures; March 10, 1933 Betty is voiced by Mae Questal. Jack Mercer does the cat, canary, and the monster in this,his first film. He went on to be the most famous voice of Popeye, as well as Grampy. It is a general consensus among jazz collectors that the soundtrack is provided by Don Redman's band (McKinney's Cotton Pickers) or members of such, which is likely sin...
VITAPHONE DISC, The Wolf Song 1928, Russ Columbo, Lupe Velez
Просмотров 3,9 тыс.11 лет назад
Here is the beginning of Reel 2 of "The Wolf Song" starring Gary Cooper and Lupe Velez. It is mostly a synchronized score but has brief live sound segments, exactly like "The Jazz Singer." I'm not sure which one of the three songs in the film is this duet with Russ and Lupe.
FLETCHER HENDERSON, "New King Porter Stomp" Okeh 41565
Просмотров 1 тыс.11 лет назад
FLETCHER HENDERSON, "New King Porter Stomp" Okeh 41565
FLETCHER HENDERSON "Variety Stomp" Victor 20944-B
Просмотров 4,5 тыс.11 лет назад
FLETCHER HENDERSON "Variety Stomp" Victor 20944-B
ANNETTE HANSHAW "Cooking Breakfast for the One I Love" Jack Albin Orchestra, VT 2105-V
Просмотров 65911 лет назад
ANNETTE HANSHAW "Cooking Breakfast for the One I Love" Jack Albin Orchestra, VT 2105-V
JESSE STAFFORD ORCHESTRA "The Right Kind of Man," Cdn Brunswick 4526
Просмотров 72911 лет назад
JESSE STAFFORD ORCHESTRA "The Right Kind of Man," Cdn Brunswick 4526
KANSAS CITY STOMPERS (1929), "Shanghai Honeymoon" Brunswick 7091
Просмотров 1,7 тыс.11 лет назад
KANSAS CITY STOMPERS (1929), "Shanghai Honeymoon" Brunswick 7091
AL HANDLER ORCHESTRA, "Pretty Lips" Columbia 833-D
Просмотров 1,2 тыс.11 лет назад
AL HANDLER ORCHESTRA, "Pretty Lips" Columbia 833-D
ANNETTE HANSHAW "Cooking Breakfast for the One I Love" Odeon 193468-A
Просмотров 4,5 тыс.11 лет назад
ANNETTE HANSHAW "Cooking Breakfast for the One I Love" Odeon 193468-A
FLETCHER HENDERSON "St. Louis Shuffle" Victor 20944-A
Просмотров 1,7 тыс.11 лет назад
FLETCHER HENDERSON "St. Louis Shuffle" Victor 20944-A
Jezkuv Swing Band, "Dinah," Ultraphon A11650
Просмотров 56911 лет назад
Jezkuv Swing Band, "Dinah," Ultraphon A11650
THE JIVE BOMBERS, "If I Had a Talking Picture of You," Savoy 45-1513
Просмотров 11 тыс.11 лет назад
THE JIVE BOMBERS, "If I Had a Talking Picture of You," Savoy 45-1513
Luis Russell Orchestra (Henry Red Allen) "Freakish Blues" HMV B-4897
Просмотров 92111 лет назад
Luis Russell Orchestra (Henry Red Allen) "Freakish Blues" HMV B-4897
ETHEL SHUTTA with Ben Selvin, "Snowball," Columbia 2819-D
Просмотров 1,4 тыс.11 лет назад
ETHEL SHUTTA with Ben Selvin, "Snowball," Columbia 2819-D
June Callwood, IN TOUCH-Joe Showler on Jack Teagarden
Просмотров 1,2 тыс.11 лет назад
June Callwood, IN TOUCH-Joe Showler on Jack Teagarden
Faith Bacon, 1942 Soundie, "Dance of Shame"
Просмотров 93 тыс.11 лет назад
Faith Bacon, 1942 Soundie, "Dance of Shame"

Комментарии

  • @vusumzimavusana849
    @vusumzimavusana849 7 часов назад

    The king of jazz

  • @jaydanwest6472
    @jaydanwest6472 День назад

    0:01 2:09 2:43 3:45 5:14

  • @UncleDavesKitchen
    @UncleDavesKitchen 4 дня назад

    lovely voice, amazing to have a talking picture so well done from 1928

  • @WilHenDavis
    @WilHenDavis 5 дней назад

    Ah, this is REAL MUSIC!!! Many thanks for sharing!

  • @guidojimenez-cruz2597
    @guidojimenez-cruz2597 6 дней назад

    We’ve done some progress since those racist, demeaning times, but there is still so much to be done.

  • @elis6299
    @elis6299 Месяц назад

    Wonderful, wonderful...

    • @elis6299
      @elis6299 Месяц назад

      Jack was the best, no doubt about it.

  • @guymontag349
    @guymontag349 Месяц назад

    Faith had stunningly beautiful legs. But beautiful women are timeless.

  • @Sergey5631
    @Sergey5631 Месяц назад

    Really great!.. Round CRT...

  • @PublicDomainRecordings
    @PublicDomainRecordings Месяц назад

    What a complete waste of Harry Richman. They should of just had him sing a few songs.... this story line and the ridiculous lyrics are beyond stupid...

  • @robertchesnosky3508
    @robertchesnosky3508 Месяц назад

    SHE HAS A CONTEMPORARY LOOK. IT DOESNT SEEM LIKE 95 YEARS AGO. THE FACT THAT A LOT OF GIRLS HAVE GONE BACK TO SHORT HAIR MAY EXPLAIN IT.

  • @ericroberts1084
    @ericroberts1084 Месяц назад

    Looks as if it was shot with a single camera. (Close-ups don't synch with the wide shots). Pretty brave for 1942. She regarded her work as Art, adding surrealist touches as in the film above. She said that she would only dance completely nude if everyone in the audience was an artist and could see the beauty of such a performance. ruclips.net/video/ZxrbnkNmFGE/видео.html

  • @ericroberts1084
    @ericroberts1084 Месяц назад

    Credits to the lighting tech, cameraman and editor. Music is extraneous.

  • @mattleinhauser9166
    @mattleinhauser9166 Месяц назад

    You are.watching it because she's the best. I love her too ❤❤❤❤ because she's my favorite girl 😍

  • @tedrobinson372
    @tedrobinson372 Месяц назад

    To bad we cannot listen directly but only mic pickup from a loudspeaker.

    • @vitajazz
      @vitajazz Месяц назад

      Again!? Did you not bother to read my other comments? This is directly recorded from stylus to preamp to CD recorder. The sound, including the buzz at the start, is exactly what was on the disc. This is an early experimental electric recording, they were using a HORN on the carbon microphone.. Look at my other video posts, are they mic to speaker? I have posted no other early experimental electric recordings precisely because of all the stupid negative comments that this post has received.

    • @tedrobinson372
      @tedrobinson372 Месяц назад

      @@vitajazz Sorry for my apparent ignorant reply. I have in my possession a Compo test recording with matrix number close to this one which sounds more direct. But it does sound as if it too was recorded with a telephone carbon microphone. The echoey sound therefore must be the room ambiance.

    • @vitajazz
      @vitajazz Месяц назад

      ​@@tedrobinson372sorry for my abrupt reply. The echoing or resonance is probably most likely the cutting head, which was neither damped nor biased. The compo engineers didn't seem to realize that you don't need a horn on the mic, it's better used as a point of pickup without a resonant horn. If you have a compo test, I'd love to hear it. I do have a worksheet of the Compo ledgers, with almost every session listed. (that's where "peanut orch" came from for this disc.)

    • @tedrobinson372
      @tedrobinson372 Месяц назад

      @@vitajazz the record I have was pressed by Compo on a Sherwin Williams Paints and Varnishes label. Engraved into the original wax is "E-148. The Compo Co. Ltd, Machine -Montreal, Canada. Catalog no. 668A. The title is "The Four Clever Brothers, Fairy Tale for the children". It is spoken for the first two thirds and the last third is a dance band playing "Tis Springtime Again". 668B is a full acoustic rendition of "Tis Springtime Again". The spoken portion of the electric 668A sounds quite snorty but the band somewhat smoother and less resonant. Is sounds similar to your record although less echoey. It was a giveaway record I guess and curious Compo would distribute this odd selection. Also the spoken part sounded amateurish and sounds if it was just a staff engineer or perhaps one of the Berliners? PS. The fellow singing in your record sounds to be the same person singing and reciting the Fairy Tale.

  • @sisuriffs
    @sisuriffs Месяц назад

    Body positivity. Stunning.

  • @JamesWarrior
    @JamesWarrior 2 месяца назад

    Wonderful. Thank you.

  • @paulw.harvey3093
    @paulw.harvey3093 2 месяца назад

    I like Cantor a lot. I loved him in "40 little mothers," where he showed the greatest tenderness toward children.

  • @virc.
    @virc. 2 месяца назад

    غريب امر الحياة. لقد أصبحت من المنسيين تماما

  • @vickit.1797
    @vickit.1797 2 месяца назад

    I saw a documentary on Patsy Cline and she owns some of this ladies records.

  • @yelloworangered
    @yelloworangered 2 месяца назад

    Thank you for posting this video.

  • @richardnailhistorical3445
    @richardnailhistorical3445 2 месяца назад

    1929 - I'd like to know if this show was done before or after the crash in 29?

    • @benzo4029
      @benzo4029 27 дней назад

      Before. This would be filmed in 1928 or early 29 during the run of Ziegfeld's "Whoopee!" A story of interracial love between an American native brave and a white lady! Taboo in its day. Eddie Cantor had just finished starring in Ziegfeld's Follies of 1927 at that same location. That show featured Ruth Etting and the all girl band, the "Ingenues" performing "Shaking the Blues Away", written for the show by Irving Berlin. Cantor also would take the elevator to the "Roof". and entertain after the show, as he does here during the Whoopee! run. Look how natural Eddie is in front of those first Talkie cameras! What a pro he was! Eddie made a 78 record of his comic song he sings here, "If I Give Up the Saxophone" on Victor records. I found me one! 😋

  • @llj181
    @llj181 2 месяца назад

    Oh Man, this is so heartbreaking, I started listening to Satchmo when I was twelve years old and now im sixteen there isn't a single day that I don't listen to his music my favourites are Moon River, C'est si bon, Hello Dolly, Blueberry Hill, Jeepers Creepers and obviously What A Wonderful World I would like to transmit his music from generation to generation in my family, I'm so proud of what he has done. I pray for him✝️ May he rest in peace 🕊️❤

  • @sergenis7721
    @sergenis7721 2 месяца назад

    des velus!!!!bravo à eux!!!!

  • @ismaelgiacomansalas
    @ismaelgiacomansalas 2 месяца назад

    Bu y n r cu reo

  • @misterjive273
    @misterjive273 2 месяца назад

    What a rare gem. Thank you for sharing!

  • @grezek
    @grezek 3 месяца назад

    Is that Red Nichols on piano"

  • @user-oj8ef1kf6n
    @user-oj8ef1kf6n 3 месяца назад

    Even to this day, he is still the standard by which all trumpet players measure them selves!!(I’m just saying)

  • @keithbearden1119
    @keithbearden1119 3 месяца назад

    Man, she's great.

  • @kiajulian4619
    @kiajulian4619 3 месяца назад

    Let me tell y'all something about Eddie Cantor. I know his daughter Janet, the last surviving child of Eddie's... And she told me some wonderful stories about him. She told me that he had such respect for African-Americans... That he would never hire them as servants in his home... He would only hire black people to work in his office. The blackface was not considered an insult it was considered a compliment at the time.... Although Eddie stopped the practice altogether in the late 1930s. Janet told me that she used to have her father come into her room and kill spiders for her because she was terrified of spiders. She said it was a wonderful father... And he is a wonderful human being. People look at the blackface and think... Oh how horrible... But most did it is a *homage to Black entertainers. I'm not defending black face in any way shape or form it was a horrible practice with misguided human beings that were products of their time. But I can personally vouch for Eddie Cantor... For not having a racist bone in his body. He told all of his children to respect every person equally depending on the content of their character and not their skin color. Eddie Cantor was a wonderful, brilliant intelligent performer and a wonderful man by all accounts. BTW .. I'm a black woman and I became acquainted with Eddie's daughter, Janet, when I wrote on Facebook that I could see a *humanity* in Eddie Cantor... That I couldn't see in any other blackface performer. Eddie Cantor was a wonderful performer... And a wonderful human being who stood up against racism his entire life. He was a man AHEAD of his time... But also... a man OF his time.... f his time.

  • @16mmRick
    @16mmRick 3 месяца назад

    "As far as I can ascertain, this was mastered as NTSC 24fps, then sped up to 25FPS PAL, then converted back to NTSC 29.97 via standard video conversion rather than slowing down. That's why there's jerkiness when I tried to IVTC for RUclips's 24fps standard. I did the best I could." Nevertheless it provided quite nice source material for the 16mm print I had made. I thank you.

  • @grezek
    @grezek 3 месяца назад

    How can it sound and be a breath of fresh air 95 years later, but it is.

  • @adailtonmarques1487
    @adailtonmarques1487 4 месяца назад

    Rest in Peace Satchmo😭God Would have you

  • @johasco
    @johasco 4 месяца назад

    Thanks so much. This would have been filmed at the Paramount Studios then located in Astoria, Queens. I'll bet that the trio is the three musicians who wrote the song: J.P. Murray, Barry Trivers, and Ben Oakland. The next year they would be writing for The Ziegfeld Follies.

  • @lynnetedder-ward3164
    @lynnetedder-ward3164 4 месяца назад

    I absolutely love the song about the saxophone.i agree with other comments he is hot and so cute ❤❤

  • @lynnetedder-ward3164
    @lynnetedder-ward3164 4 месяца назад

    I think he was sweet even though his act to me (don't know about any one else) reminds me of Al jolson🎭🎭🎭🎭📻📻🎙️🎙️🎙️

  • @davidgiardina5424
    @davidgiardina5424 4 месяца назад

    Really beautiful

  • @SEC12FV_Entertainment
    @SEC12FV_Entertainment 4 месяца назад

    3:47 WE LEARNING WITH GÜBY WITH THIS ONE🔥🔥💯💯

  • @garrybunce5500
    @garrybunce5500 4 месяца назад

    Love it🎉 Foot Tapping 🎉

  • @k.m.h7480
    @k.m.h7480 4 месяца назад

    That must have been a fascinating time in entertainment history that will never come back. But worth getting dressed up to go out , wow ❤

  • @lourdestalaveravaldivia9748
    @lourdestalaveravaldivia9748 4 месяца назад

  • @perrypalacios5773
    @perrypalacios5773 4 месяца назад

    Thanks for all great music 🎼 🎉…Mr. Music 🎶 Ohio

  • @101Volts
    @101Volts 4 месяца назад

    1:13 - 1:33 Like me eating spoonfuls of Horseradish and Garlic.

  • @david11978
    @david11978 4 месяца назад

    A very nice interpretation. Jeanette MacDonald sang this in 'Monte Carlo' 1930, and it was also the song that ended the film, when she sang it with Jack Buchanan.

  • @adailtonmarques1487
    @adailtonmarques1487 4 месяца назад

    Descanse em paz Louis Armstrong 🕊️ que Deus o tenha

  • @TheHmm43
    @TheHmm43 5 месяцев назад

    4:01

  • @TheHmm43
    @TheHmm43 5 месяцев назад

    Wow

  • @MikeDS49
    @MikeDS49 5 месяцев назад

    David Stringer! I really enjoyed his hosting back in the 80s, like for R2000... The Better Built House. What ever happened to him?

  • @angusmcnaughton
    @angusmcnaughton 5 месяцев назад

    Very nicely explained, love the “head wrap” moment 😄

  • @chainsaw76d
    @chainsaw76d 5 месяцев назад

    Beautiful, sexy and classy, she was part of a gone world.

  • @devinharris9284
    @devinharris9284 5 месяцев назад

    5:30 Very clever twist on explaining "special effects"